The eBook revolution was a burst of sudden freedom for the content of books of all types, but especially for novels. Suddenly, there was almost no limit to how much you could include alongside the actual story. A bit like when DVD replaced videotape as the movie medium of choice. Now you had ‘making of’ documentaries, directors’ commentaries, deleted scenes, interviews, stunt reels, and alternative endings, alongside the main event.
Those are the bonus features that fascinate me as a movie viewer. I’ve even been known to buy again a movie I already owned on DVD if the new edition had all those kind of extras on it. Why not the same with novels?
If your story is set in a particular (real) location, would maps of the area add to the feel of it, or provide an unnecessary distraction? Or perhaps it is more of a requirement if your story is set in a fictional locale like GAME OF THRONES.
If you write a series where the books come out at intervals, wouldn’t it be a good idea to remind the reader of the story so far, or would new readers use that to catch up and no longer need to buy/borrow the backlist?
The question is how much information do you include? The jacket copy synopsis? Or simply a couple of lines to tempt the new reader and remind the existing fans? Do you include an excerpt from the next book at the end of this, as further encouragement to keep reading?
When you read a novel, are you interested in what inspired the story, where the author got the idea from, or how they dropped on the perfect ending by some random set of circumstances? How much do you want to see behind the scenes, or will it entirely spoil the magic for you?
Do you want to read an interview with the author about the art of writing, the inspiration behind the series, or how they’ve developed the character?
Or how about extras in the form of a short story? I’ve always thought that what brings readers back to an author is because they like the sound of that author’s voice. What better way to keep talking to your reader than to give them a bonus in the form of another complete example, and one that’s easily digested in a short sitting?
The downside, of course, is the expectation factor. By this, I mean that as you read a digital book you’re told what percentage of the story is still to come. If there are a lot of extras at the end, the actual body copy of the novel could end at 80-90%, leaving the reader feeling somehow let down having thought there was at least another chapter or two to go.
So, I’m left in a quandary, hence all these questions. Once you’ve read a story, how much more story do you want to read?
This week’s Word of the Week is Barmecide, meaning someone who offers something that’s disappointing or an illusion. The word comes from the Arabic Barmakī, who was a prince in the Arabian Nights tales, who offered a beggar a banquet which consisted of decorative but empty dishes.






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